The way I perform abstraction on my city paintings intrigues me as it leads to a realistic image. In other words, abstract art brings me to the concrete. I enjoy playing with various ideas and challenging my audience, although I understand that my perspective may not be the only one.

The Flow, 2017, acrylic on canvas, 116x158cm, city paintings

Expanse 1, 100 x 70 cm, acrylic on paper, 2018

Each side of my paintings reveals a new event, while I aim to create a universal story that resonates with viewers’ current state of mind.

Uncharted, acrylic on canvas, 105 x 155 x 3 cm, 2018

Flying City

Flying forms, objects in motion, and colors that pop out of each other are all symbols I use to show transience. It is a moment captured in a painting. A painting is static as an object, but everything in it is in motion, just moving on.
Linear, one-point, or two-point perspectives? It’s not “a must” to have only one of them on my city paintings. Perspectives are different, just like in real life. We see things from many angles. We are different, and each of us has different perspectives.

It’s time to grow 3, 158 x 120 x 4 cm, acrylic on canvas, 2018

Blue City is on the move, acrylic and ink on paper, 70 x 100 cm, 2018

In a sense, when you look at my paintings, you are looking at your inner self. As you step into the city, move around, and visualize, remember that our world is like a mirror, reflecting what’s within us.

Let the rivers run, acrylic, city paintings

Somewhere between, acrylic and ink on paper, 70 x 100 cm, 2018

Through the passage, acrylic on canvas

Expanse 2, 100 x 70 cm, acrylic on paper, 2018, Giclee on canvas, edition 1 of 5, 90 x 120 cm

Gateway, acrylic on canvas 202 x 156 x 4 cm, 2019

Foggy and blue, acrylic on paper, 70 x 100 cm, 2018

The second Gate, acrylic on canvas, 2016

Source of Purple, acrylic, and ink on paper, 70 x 100 cm, 2018, Giclee on canvas, edition 1 of 5, 90 x 120 cm